Monday, 10 August 2015
ARLIS publications available online
The ARLIS website has recently added Paypal buttons to its website, therefore you can now purchase any ARLIS books online. So, for those of you who didn't get a change to get an Art Researchers' Guide to Cardiff and South Wales at the ARLIS reception you can quickly order your own copy and have it posted to you at no extra cost.
Above: Peter Kelan and Kristine Chapman, Co-editors of the Art Researchers' Guide to Cardiff and South Wales. Photo by Lorraine Blackman, 21 July 2015.
Sunday, 19 July 2015
ARLIS conference, Cardiff day three review
Day three, and the final day of the conference.
We began with a Special General Meeting, before we got into the final two sessions.
The first focused on 'Practitioners and their Communities', the speakers were Helen Clifford and Sian Lile-Pastore. Helen described her time as Artist in Residence at the WARP (Wales Artist Resource Programme) Library. She was interested in libraries as creative and changing spaces, and threads and interconnections between users and between resources. As a member of staff in the Library at Cardiff Metropolitan University, Helen also explored cataloging and classification, and described how she covered many of the books in the Library so that they had to be opened to discover the contents, brave words in a room full of librarians!
Sian spoke to us about the National Museum Cardiff Youth Forum and the 'Smashed' alternative guide to the Fragile? contemporary ceramics exhibition that they produced. Key to the success of the project was working with numerous different external partners to guide and advise the group on photography, design, and interview techniques.
After lunch the final session 'Making Visual Visual Resources' definitely fitted into the conference theme of 'mining the resources'. Andrew Ellis updated us on the progress of the Public Catalogue Foundation, and projects such as Tagger and Art Detective which aim to aid discover-ability and fill in gaps in knowledge. John Davies and Kristen Marshall talked to us about the slide collections at the Visual Resources Centre, Manchester Metropolitan University, filling us in on it's background and the threats to it's survival. Kristin described the projects they've undertaken to raise awareness of the collections and hold off on it's disposal, including Project(ed) Voices, #slideoftheday and Adopt a Slide. It was great that at the end of their presentation they were able to announce that the collection was to be transferred to the University's Special Collections department, which should ensure their survival.
The last presentation was from Vicky Brown on visual literacy [see slides from her presentation here], she showed us some examples of initiatives that seek to teach visual reading and thinking skills. Her presentation was supposed to be joint with Jenny Godfrey, who unfortunately couldn't attend, but luckily she had conducted a virtual presentation on the same subject earlier and Vicky was able to play a recording. Jenny described to us a project for students called the 'Baby Cage' which was designed to test research and critical thinking as students explore an assigned image [see slides from the presentation here]. Vicky also played us a fab Pathé video that students found relating to the image they'd been investigating.
The conference closed with people rushing off to catch their various trains, all three days had a great buzz and energy about them, roll on Dublin!!
Tweets from Day 3 are Storifyed here.
Fuller write ups of the various sessions will be published in an upcoming issue of Art Libraries Journal.
We began with a Special General Meeting, before we got into the final two sessions.
The first focused on 'Practitioners and their Communities', the speakers were Helen Clifford and Sian Lile-Pastore. Helen described her time as Artist in Residence at the WARP (Wales Artist Resource Programme) Library. She was interested in libraries as creative and changing spaces, and threads and interconnections between users and between resources. As a member of staff in the Library at Cardiff Metropolitan University, Helen also explored cataloging and classification, and described how she covered many of the books in the Library so that they had to be opened to discover the contents, brave words in a room full of librarians!
 |
| Photo courtesy of Helen Clifford |
Sian spoke to us about the National Museum Cardiff Youth Forum and the 'Smashed' alternative guide to the Fragile? contemporary ceramics exhibition that they produced. Key to the success of the project was working with numerous different external partners to guide and advise the group on photography, design, and interview techniques.
After lunch the final session 'Making Visual Visual Resources' definitely fitted into the conference theme of 'mining the resources'. Andrew Ellis updated us on the progress of the Public Catalogue Foundation, and projects such as Tagger and Art Detective which aim to aid discover-ability and fill in gaps in knowledge. John Davies and Kristen Marshall talked to us about the slide collections at the Visual Resources Centre, Manchester Metropolitan University, filling us in on it's background and the threats to it's survival. Kristin described the projects they've undertaken to raise awareness of the collections and hold off on it's disposal, including Project(ed) Voices, #slideoftheday and Adopt a Slide. It was great that at the end of their presentation they were able to announce that the collection was to be transferred to the University's Special Collections department, which should ensure their survival.
 |
| Courtesy of @VisResCentreMMU |
The last presentation was from Vicky Brown on visual literacy [see slides from her presentation here], she showed us some examples of initiatives that seek to teach visual reading and thinking skills. Her presentation was supposed to be joint with Jenny Godfrey, who unfortunately couldn't attend, but luckily she had conducted a virtual presentation on the same subject earlier and Vicky was able to play a recording. Jenny described to us a project for students called the 'Baby Cage' which was designed to test research and critical thinking as students explore an assigned image [see slides from the presentation here]. Vicky also played us a fab Pathé video that students found relating to the image they'd been investigating.
The conference closed with people rushing off to catch their various trains, all three days had a great buzz and energy about them, roll on Dublin!!
Tweets from Day 3 are Storifyed here.
Fuller write ups of the various sessions will be published in an upcoming issue of Art Libraries Journal.
ARLIS conference, Cardiff day two review
Day two dawned clear, and relatively bright. After breakfast in the School of Management delegates headed into the first session of the day, 'Enterprise in the Arts'.
The overriding theme of the session was in the value of networks and relationships to support creative industries. Alice Taylor described Cardiff University's Mapping Cardiff's Creative Economy project, and gamely filled in for colleague Hannah Bayfield to also discuss REACT (Research & Enterprise in the Arts & Creative Technology). Her presentation complete with 'Jekyll/Hyde game' video was a big hit, and the session was very ably rounded off by Sian Elin Thomas of Sian Elin Designs, a local designer who discussed the benefits and opportunities that participating in networks such as the Cardiff Arts Collective.
The second session of the day, 'The Welsh Landscape', featured Dr Paul Cabuts and Dr Ceri Thomas. both discussed the influence of the Welsh landscape on art. Dr Cabuts showcased The Valleys Project, photographs from the mid-1980s depicting life in the south Wales valleys and attempting to document many of the changes occurring during that period. Dr Thomas presented the work of two Welsh artists, Joan Baker and Ernest Zobole, heavily influenced by links to their local areas. Baker in Cardiff and the south Wales coastline, and Zobole in the Rhondda.
After lunch delegates split off into groups for the breakout sessions. The sessions on 'Introducing Illustration Studies' and the 'Artists Books collections' were full of useful ideas on how to use special collections within teaching, not to mention that they had that visual wow factor! Plenty of interesting suggestions came out of the 'Writing for Publication' workshop run by the editor and deputy editor of the Art Libraries Journal, and the 'Glamorgan Archives Volunteer Programme' showed how archives can engage with their communities. And, in the 'CILIP and ARLIS Membership Discussion' CILIP in Wales officer, Mandy Powell, attempted to bribe attendees with Haribo!
Then it was time to rush off and get ready for dinner in a castle! Delegates were treated to a wine reception in the Library of Cardiff Castle, followed by a short tour and dinner in the banqueting hall. the truly stunning surroundings, great food, and arrival of pudding [!] were a definite highlight of the conference.
Tweets from Day Two are Storifyed here.
The overriding theme of the session was in the value of networks and relationships to support creative industries. Alice Taylor described Cardiff University's Mapping Cardiff's Creative Economy project, and gamely filled in for colleague Hannah Bayfield to also discuss REACT (Research & Enterprise in the Arts & Creative Technology). Her presentation complete with 'Jekyll/Hyde game' video was a big hit, and the session was very ably rounded off by Sian Elin Thomas of Sian Elin Designs, a local designer who discussed the benefits and opportunities that participating in networks such as the Cardiff Arts Collective.
The second session of the day, 'The Welsh Landscape', featured Dr Paul Cabuts and Dr Ceri Thomas. both discussed the influence of the Welsh landscape on art. Dr Cabuts showcased The Valleys Project, photographs from the mid-1980s depicting life in the south Wales valleys and attempting to document many of the changes occurring during that period. Dr Thomas presented the work of two Welsh artists, Joan Baker and Ernest Zobole, heavily influenced by links to their local areas. Baker in Cardiff and the south Wales coastline, and Zobole in the Rhondda.
After lunch delegates split off into groups for the breakout sessions. The sessions on 'Introducing Illustration Studies' and the 'Artists Books collections' were full of useful ideas on how to use special collections within teaching, not to mention that they had that visual wow factor! Plenty of interesting suggestions came out of the 'Writing for Publication' workshop run by the editor and deputy editor of the Art Libraries Journal, and the 'Glamorgan Archives Volunteer Programme' showed how archives can engage with their communities. And, in the 'CILIP and ARLIS Membership Discussion' CILIP in Wales officer, Mandy Powell, attempted to bribe attendees with Haribo!
Then it was time to rush off and get ready for dinner in a castle! Delegates were treated to a wine reception in the Library of Cardiff Castle, followed by a short tour and dinner in the banqueting hall. the truly stunning surroundings, great food, and arrival of pudding [!] were a definite highlight of the conference.
Tweets from Day Two are Storifyed here.
ARLIS Conference, Cardiff day one review
On Wednesday Cardiff was still being washed clean by last night’s rain, ready for the afternoon city visits, when delegates began registering at 9am for the 2015 ARLIS Conference. As in all conference organisation, some delays are inevitable – the sun appeared a bit later than expected for the visits, the coaches also appeared later than expected for the visits, and some documents via couriers eventually turned up – but nevertheless the conference and sunshine shone during the day!
The opening plenary, by the government head in Wales of ‘Museums, Archives and Libraries’ (MALD), Linda Tomos, was a sweeping view of the scene in Wales, related to the conference theme of the economy, arts and culture, and the links across them. Linda noted the low levels of prosperity across Wales, and hence the need to ‘punch our weight’ with arts and culture ventures, to vitalize other areas of life – social, educational, and economic. Lots of examples were given – and lots of advice: be innovative/entrepreneurial, take opportunities which arise, look for new audiences, link in with major sector themes (where there is usually money attached), get partners/collaborators, and find good ‘champions’ for your cause/sector to assist you.
The second plenary had three fascinating presentations related to – the world of advertising (in WW1), the world of the stage (theatre archives), and the world of Wales (NLW collections). Amanda-Jane Doran spoke about the ‘science of sales’ in WW1 era adverts, and how she appealed to publishers with the theme for her book on this topic. Jo Elsworth from Bristol Theatre Archive talked about their innovative outreach with a wide variety of groups, to make the collections relevant to educational, social, and commercial audiences. Lloyd Roderick from the National Library of Wales gave an amusing and broad perspective on the NLW art collections, and how digitisation is helping to link in with audiences well beyond the borders of Wales.
After lunch two presentations looked at practical examples of ‘art fueling the economy’ with a perspective on the V+A exhibition ‘Savage Beauty’ and the work behind that, by Louise Rytter and Sally Williams; Richard Morris, Dean at Cardiff Metropolitan University, looked at enterprise and business foundations for modern art students coming into the world of work. (Later that evening a Cardiff Met. Student, A.J. Stockwell gave a fascinating insight into her venture into the workplace via an assisted scheme within the university).
Delegates then scattered to the four corners of Cardiff, on art and architectural tours of Cardiff Bay, the City Centre, and various libraries and galleries – if walking tours can be described as ‘whirlwind’, these were examples!
The evening finished on a high note, with the launch of the latest in the series of the ARLIS ‘Art Researchers’ Guide’ books, with the volume on Cardiff and south Wales; again a credit to Rose Roberto and her editorial team for another fine volume (on sale via ARLIS, Cardiff University Library, and the National Museum of Wales, and all ‘good’ bookshops of course)! The after dinner quiz was a hoot, the most difficult question being ‘what happened to the pudding’ – nobody got that right!
by,
Peter Keelan, Cardiff University Library,
Special Collections and Archives.
 |
| Photo via @CardiffMetConf |
The opening plenary, by the government head in Wales of ‘Museums, Archives and Libraries’ (MALD), Linda Tomos, was a sweeping view of the scene in Wales, related to the conference theme of the economy, arts and culture, and the links across them. Linda noted the low levels of prosperity across Wales, and hence the need to ‘punch our weight’ with arts and culture ventures, to vitalize other areas of life – social, educational, and economic. Lots of examples were given – and lots of advice: be innovative/entrepreneurial, take opportunities which arise, look for new audiences, link in with major sector themes (where there is usually money attached), get partners/collaborators, and find good ‘champions’ for your cause/sector to assist you.
The second plenary had three fascinating presentations related to – the world of advertising (in WW1), the world of the stage (theatre archives), and the world of Wales (NLW collections). Amanda-Jane Doran spoke about the ‘science of sales’ in WW1 era adverts, and how she appealed to publishers with the theme for her book on this topic. Jo Elsworth from Bristol Theatre Archive talked about their innovative outreach with a wide variety of groups, to make the collections relevant to educational, social, and commercial audiences. Lloyd Roderick from the National Library of Wales gave an amusing and broad perspective on the NLW art collections, and how digitisation is helping to link in with audiences well beyond the borders of Wales.
After lunch two presentations looked at practical examples of ‘art fueling the economy’ with a perspective on the V+A exhibition ‘Savage Beauty’ and the work behind that, by Louise Rytter and Sally Williams; Richard Morris, Dean at Cardiff Metropolitan University, looked at enterprise and business foundations for modern art students coming into the world of work. (Later that evening a Cardiff Met. Student, A.J. Stockwell gave a fascinating insight into her venture into the workplace via an assisted scheme within the university).
Delegates then scattered to the four corners of Cardiff, on art and architectural tours of Cardiff Bay, the City Centre, and various libraries and galleries – if walking tours can be described as ‘whirlwind’, these were examples!
The evening finished on a high note, with the launch of the latest in the series of the ARLIS ‘Art Researchers’ Guide’ books, with the volume on Cardiff and south Wales; again a credit to Rose Roberto and her editorial team for another fine volume (on sale via ARLIS, Cardiff University Library, and the National Museum of Wales, and all ‘good’ bookshops of course)! The after dinner quiz was a hoot, the most difficult question being ‘what happened to the pudding’ – nobody got that right!
by,
Peter Keelan, Cardiff University Library,
Special Collections and Archives.
Wednesday, 8 July 2015
Pre-conference drinks
Are you arriving in Cardiff for the ARLIS Conference on the Tuesday evening?
If so, why not join us for a drink at the Maltsters pub on Cardiff Road in Llandaff?
We will be there from about 6.30pm. It’s only a 10 minute walk down from the accommodation to the pub, which is right in the heart of Llandaff. They also have a very nice food menu for those who want to grab a bite to eat.
So if you are arriving early, hope to see you there!
If so, why not join us for a drink at the Maltsters pub on Cardiff Road in Llandaff?
We will be there from about 6.30pm. It’s only a 10 minute walk down from the accommodation to the pub, which is right in the heart of Llandaff. They also have a very nice food menu for those who want to grab a bite to eat.
So if you are arriving early, hope to see you there!
Countdown to conference
We are all getting excited for the ARLIS Conference in Cardiff next week.
If you are a Twitter user, and you don’t already follow @ARLIS_UK, now would be a perfect time to start. Our tweeters will be tweeting and blogging from the conference under the hashtag #ARLIS2015.
For those of you who can’t be there, follow the hashtag to get a flavour of what’s going on, and for those who are attending please share with us your thoughts and impressions of the various sessions.
If you are a Twitter user, and you don’t already follow @ARLIS_UK, now would be a perfect time to start. Our tweeters will be tweeting and blogging from the conference under the hashtag #ARLIS2015.
For those of you who can’t be there, follow the hashtag to get a flavour of what’s going on, and for those who are attending please share with us your thoughts and impressions of the various sessions.
Sunday, 28 June 2015
Art Researchers' Guide to Cardiff and South Wales Book Launch
Order your copy early (before 1 August) for only £6.00 and pick it up at the conference.
Art Researchers' Guide to Cardiff and South Wales
Editors: Lousie Carey, Kristine Chapman, Jenny Godfrey, and Peter Keelan
ISBN: 978-0-9562763-7-7
Publisher: ARLIS / UK & Ireland
Regular price £7.00
Publication date: 15 July 2015
With an introduction by: Judi Loach, Cardiff University
To order your copy at special publisher's rate email Lorraine Blackman with your order at:
http://www.arlis.net/contact
Cardiff (Caerdydd in Welsh) is the capital of Wales and one of the most vibrant cities in the UK. Its roots go back to pre-Roman eras, with the occasional cromlech scattered around the region. Today Cardiff is the home of the National Assembly for Wales, the finance and business centre for the region, the Welsh media, and a hub for research, arts, sport, and culture. It is also home to one of the most beautiful civic centres in Europe.
Across south Wales, the cities of Swansea and Newport hold a wealth of historical resources, and the South Wales Valleys are now a vivid mix or urban and natural environment.
This handbook describes the major collections of libraries, archives, and museums where you can research culture, art, and design. It will allow you to explore these cities and direct you to the most appropriate places to suit your research needs.
Special features include:
• a city-wide map
• at-a-glance navigation icons
• a time-saving subject index to collections
• a glimpse into each site with full-colour images
Sunday, 21 June 2015
Visits part 4: National Museum of Art, and commercial galleries
National Museum of Art at National Museum Wales
The art collection is one of Europe's finest. Five hundred years of magnificent paintings, drawings, sculpture, silver and ceramics from Wales and across the world, including one of Europe's best collections of Impressionist works.
Temporary exhibitions available during the visit include, Fragile? an exhibition of contemporary ceramics, and Chalkie Davies: the NME years, photographs of rock and pop icons.
In addition to the National Museum of Art there are also a number of commercial art galleries located close by which delegates will be free to visit.
A. The Kooywood Art Gallery is one of the country's premier galleries specialising in Welsh art. Situated just 100 yards from the National Museum Wales, in the heart of the capital's cultural quarter. The gallery will be hosting an exhibition of the Royal Cambrain Academy artists. July 2nd - 25th.
B. The Martin Tinney Gallery was established in 1992 and is now considered to be Wales’ premier private commercial art gallery. The gallery specialises in Welsh and Wales-based artists of the highest quality, past and present.
C. gallery/ten is an art gallery specialising in contemporary Welsh art. gallery/ten has quickly gained a reputation for being one of the leading private contemporary art galleries in Wales.
The art collection is one of Europe's finest. Five hundred years of magnificent paintings, drawings, sculpture, silver and ceramics from Wales and across the world, including one of Europe's best collections of Impressionist works.
Temporary exhibitions available during the visit include, Fragile? an exhibition of contemporary ceramics, and Chalkie Davies: the NME years, photographs of rock and pop icons.
In addition to the National Museum of Art there are also a number of commercial art galleries located close by which delegates will be free to visit.
A. The Kooywood Art Gallery is one of the country's premier galleries specialising in Welsh art. Situated just 100 yards from the National Museum Wales, in the heart of the capital's cultural quarter. The gallery will be hosting an exhibition of the Royal Cambrain Academy artists. July 2nd - 25th.
B. The Martin Tinney Gallery was established in 1992 and is now considered to be Wales’ premier private commercial art gallery. The gallery specialises in Welsh and Wales-based artists of the highest quality, past and present.
C. gallery/ten is an art gallery specialising in contemporary Welsh art. gallery/ten has quickly gained a reputation for being one of the leading private contemporary art galleries in Wales.
Wednesday, 17 June 2015
Visits part 3: walking tour of the city centre
Enjoy a walking tour of Cardiff’s city centre with local tour guide William O’Keefe, who will chart its history from Roman to present times. Highlights will include:
minimum 10, maximum 25 people
- the impressive civic centre, constructed mostly in the Edwardian era from Portland stone
- the exterior of Cardiff Castle with its Norman keep and Victorian Gothic revival accommodation
- the beautiful Victorian and Edwardian shopping arcades
- this thriving city’s ongoing regeneration.
minimum 10, maximum 25 people
Visits part 2: Museum Library and Cardiff University Special Collections
Museum Library
We support the work of the Museum's curatorial staff, but also provide access to external researchers by appointment. The contents of our Library reflect the diverse nature of Amgueddfa Cymru's collections, covering subjects such as; Archaeology; Fine and Applied Art; Industrial and Social History; The Natural Sciences; and Museum Studies.
Besides the general reference material and the museology collection, the Main Library holds all the pre-1701 books in the Library, together with a number of other special collections such as the Willoughby Gardner collection of early natural history books and Gwendoline Davies's personal collection of special bindings from the Gregynog Press.
Cardiff University
SCOLAR was established ten years ago in Cardiff University Library to integrate, develop, and promote the Special Collections and Archives of the University – basically all our historical collections. Over that period we have discovered a major strand of illustrated, artistic, and visual related materials scattered across the collections - these appear in unique manuscript documents, in rare printed books, in historical journals and newspapers, cheap printed ballads, old posters, and even in Victorian children’s literature. We have utilized these visual resources for external grant applications, internal student workshops, publicity materials, and to respond to research enquiries.
See some samples of digitised versions of these types of materials on our DigitalSearch repository, here – http://digitalsearch.cf.ac.uk/home.html
We support the work of the Museum's curatorial staff, but also provide access to external researchers by appointment. The contents of our Library reflect the diverse nature of Amgueddfa Cymru's collections, covering subjects such as; Archaeology; Fine and Applied Art; Industrial and Social History; The Natural Sciences; and Museum Studies.
Besides the general reference material and the museology collection, the Main Library holds all the pre-1701 books in the Library, together with a number of other special collections such as the Willoughby Gardner collection of early natural history books and Gwendoline Davies's personal collection of special bindings from the Gregynog Press.
Cardiff University
SCOLAR was established ten years ago in Cardiff University Library to integrate, develop, and promote the Special Collections and Archives of the University – basically all our historical collections. Over that period we have discovered a major strand of illustrated, artistic, and visual related materials scattered across the collections - these appear in unique manuscript documents, in rare printed books, in historical journals and newspapers, cheap printed ballads, old posters, and even in Victorian children’s literature. We have utilized these visual resources for external grant applications, internal student workshops, publicity materials, and to respond to research enquiries.
See some samples of digitised versions of these types of materials on our DigitalSearch repository, here – http://digitalsearch.cf.ac.uk/home.html
Visits part 1: tour of the Senedd and public art in the Bay
Be taken on an official tour of the Senedd, the building of the National Assembly for Wales, in Cardiff Bay. Opened in 2006, this Richard Rogers’ design has impressive sustainability credentials. As part of the visit, there should be opportunity to sit in the public gallery to observe Plenary, the full meeting of Assembly members.
Afterwards there will be a walking tour of examples of the plentiful public art in the Cardiff Bay area, which reveals Cardiff’s industrial and maritime heritage, led by creative consultant Wiard Sterk, who commissioned many of the works in his role as Director of CBAT, the Arts & Regeneration Agency. Wiard will highlight different approaches to public art, its purpose and why and how the works came about.
minimum 10, maximum 20 people
Afterwards there will be a walking tour of examples of the plentiful public art in the Cardiff Bay area, which reveals Cardiff’s industrial and maritime heritage, led by creative consultant Wiard Sterk, who commissioned many of the works in his role as Director of CBAT, the Arts & Regeneration Agency. Wiard will highlight different approaches to public art, its purpose and why and how the works came about.
minimum 10, maximum 20 people
Wednesday, 3 June 2015
Book now for the ARLIS 2015 conference
Booking is now open for the 2015 ARLIS/UK and Ireland Annual Conference
Please see the website for further details and booking form http://arlis.net/
Please see the website for further details and booking form http://arlis.net/
Tuesday, 5 May 2015
Croeso i Gaerdydd - Welcome to Cardiff
This year the ARLIS/UK and Ireland 46th Annual Conference will be held on the Llandaff Campus of Cardiff Metropolitan University.
In times of austerity we are told we ‘need to do more with less’ but we are already doing much to exploit and develop the rich veins of resources held in our libraries. This year’s Annual Conference is an opportunity to explore, share and celebrate the many ways in which art libraries can demonstrate our worth to the arts economy and wider afield. Topics under consideration include; innovation, engagement, promotion and how we can demonstrate the roles librarians, archivists, information specialists etc. can play in ‘adding value’ to the impact our institutions have in the world of the arts.
We look forward to welcoming you to Cardiff, capital city of Wales and will use this blog to keep you up to date on some of the exciting programme we have planned for you this year.
See you in July!
 |
| Cardiff School of Management building, Llandaff Campus |
In times of austerity we are told we ‘need to do more with less’ but we are already doing much to exploit and develop the rich veins of resources held in our libraries. This year’s Annual Conference is an opportunity to explore, share and celebrate the many ways in which art libraries can demonstrate our worth to the arts economy and wider afield. Topics under consideration include; innovation, engagement, promotion and how we can demonstrate the roles librarians, archivists, information specialists etc. can play in ‘adding value’ to the impact our institutions have in the world of the arts.
 |
| City Hall, Cardiff Civic Centre, Cathays Park |
We look forward to welcoming you to Cardiff, capital city of Wales and will use this blog to keep you up to date on some of the exciting programme we have planned for you this year.
See you in July!
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